Alarm Will Sound

Roulette; 509 Atlantic Avenue at 3rd Avenue, Brooklyn

Friday, October 21 at 7:30pm

$30 includes free admission to DJ/VJ Night ($25 with SONiCPass); DJ/VJ Night $10 ($8 with SONiCPass. CASH ONLY AT DOOR)

Buy Tickets

Aphex Twin: "Four"
Jitterbug Mecanique from Animal

SonicPass

Attending 2 or more performances? Check out the SONiCPass for at least 20% off ticket prices.

Alarm Will Sound is a 20-member band committed to innovative performances and recordings of today's music. They have established a reputation for performing demanding music with energetic skill. ASCAP recognized their contributions to new music with a 2006 Concert Music Award for "the virtuosity, passion and commitment with which they perform and champion the repertory for the 21st century." Their performances have been described as "equal parts exuberance, nonchalance, and virtuosity" by the London Financial Times and as "a triumph of ensemble playing" by the San Francisco Chronicle. The New York Times says Alarm Will Sound is "the future of classical music" and "the very model of a modern music chamber band."

The versatility of Alarm Will Sound allows it to take on music from a wide variety of styles. The group fosters close relationships with contemporary composers and has commissioned and premiered pieces by Steve Reich, David Lang, Anthony Gatto, Cenk Ergün, Aaron Jay Kernis, Michael Gordon, Augusta Read Thomas, Stefan Freund, Wolfgang Rihm, Payton MacDonald, John Orfe, Gavin Chuck, Dennis DeSantis and Caleb Burhans.

Alarm Will Sound may be heard on five recordings. a/rhythmia, their latest release on Nonesuch is an eclectic mix of rhythmically complex music by Benedict Mason, Michael Gordon, György Ligeti, Mochipet, Johannes Ciconia, Conlon Nancarrow, Sir Harrison Birtwistle, Josquin des Prez, and Autechre. Their genre-bending, critically acclaimed Acoustica features live-performance arrangements of music by electronica guru Aphex Twin. This unique project taps the diverse talents within the group, from the many composers who made arrangements of the original tracks, to the experimental approaches developed by the performers.

In 2010, the group developed and performed the Dirty Projectors' The Getty Address in its new identity as a live performance piece at Lincoln Center, Disney Hall and the Barbican. Music that Dirty Projectors front-man David Longstreth created on a computer by meticulous and complicated sampling, looping and layering is translated and arranged by Matt Marks, Alan Pierson, and Chris Thompson for 23 musicians of both bands.

Members of the ensemble began playing together while studying at the Eastman School of Music in Rochester, New York. With diverse experience in composition, improvisation, jazz and popular styles, early music, and world musics, they bring intelligence and a sense of adventure to all their performances.